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It's Not You, It's Me

by Spring Breakup

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1.
You know that feeling when you pass a handsome guy In the mall or at a lunch buffet He looks at you, you look at him and wonder And he quickly turns around and walks away? Yes I know that feeling well; it happens constantly. Except with me it’s not guys it’s girls instead I used to think that there was something wrong with me But when I was young my mom took me aside and said: That’s just the effect you have on women They’re all too shy to talk to you Honest, you’re an Adonis And you’re pretty clever too (look at you) Maybe most guys play a completely different sport than me, So chances are slim of finding someone in my league I guess I’m too intimidating for dating And all the boys, well they’re just scared of me (probably) Finding Mrs. Right is quite a challenge Even Mrs. Right Now can be tricky And it’s not for lack of options I’m alone – no: I’m just really really really really picky. That’s just the effect I have on women That’s just the effect I have on men That’s just the effect we have What do you expect we’re an eleven out of ten That’s just the effect he has on ladies That’s just the effect she has on guys If there were awards for effect I bet we’d get the Nobel Prize So if you detect an infectious effect If you’re feeling a connection, strange and new With all due respect, that’s just the effect we have on you
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Unprincipled 02:45
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I Never 03:36
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Brick Wall 02:23
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Chesterfield 03:05
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about

Mathias Kom and Kim Barlow formed Spring Breakup in the Yukon in 2009, joining songwriting forces and merging the oft-maligned banjo and ukulele to prod and pry apart the meaty carcass of love in all its forms.

credits

released February 1, 2011

Recorded by Andy Magoffin at the House of Miracles in London. Played by Mathias Kom, Kim Barlow, and Andy Magoffin.

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about

The Burning Hell

The Burning Hell is the ongoing musical project of songwriter Mathias Kom and multi-instrumentalists Ariel Sharratt and Jake Nicoll, often including additional comrades and collaborators.

Their densely populated genre-shifting songs are packed with an abundance of literary, historical, cultural, and pop-cultural forebears, heroes and villains, subjects and objects, stories and hooks.
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